Metaphysics Chart:
(in other words, a chart representing what is)
Creation // God
||
The World // Man
||
Nature // Culture
[wolf // dog]
[forest // park]
[landscape // landscaping, landscape painting]
Where “// ” represents an antithesis, “||” represents a subdivision, and what is in brackets “[]” is a concrete example. In sentence form:
Whatever is not God is Creation; whatever in Creation is not Man is The World; whatever in The World is not Culture is Nature. God is distinguished from Creation by His aseity and its contingency; Man is distinguished from The World by the imago Dei; Culture is distinguished from Nature by Man’s creative action upon the stuff of Nature.
I believe this consideration of what exists undermines “Art” as an ontological category. To divide artifacts of Culture into “Art” and “Non-art” is a spurious distinction. The artist and the engineer are both culture-makers, and airplanes may have beauty just as sculptures may have function. The Aesthetic is rather a hermeneutical-ethical aspect, a set of lenses through which we perceive an object to determine a specific meaning and value. Every piece of culture, from a rubbish bin to the Mona Lisa, has an aesthetic meaning and value, but some objects have more aesthetic value than others. Aesthetic meaning and value are based on the criteria of harmony (relation of parts to whole and form to content) and surprise (or nuance). For these criteria I am indebted to Herman Dooyeweerd’s Theory of Modal Aspects in his New Critique of Theoretical Thought, and I am generally indebted to Henry Van Til for his Calvinistic Concept of Culture.
